bob dylan – blonde on blonde (hybrid sacd)
bob dylan - blonde on blonde (hybrid sacd)
bob dylan – blonde on blonde (hybrid sacd)

bob dylan - blonde on blonde (hybrid sacd)

Product No.:
UDSAD 2097
currently not available currently not available (abroad may vary)
37,00 EUR

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Description
MEDIUM Hybrid SACD
CONDITION sealed
CD M mint
CD CASE M mint
BOOKLET M mint
SERIALNUMBER Yes
LIMITED Yes
MUSICIAN HOMEPAGE   bobdylan.com
MISCELLANEOUS Stereo, Mini-LP-Cover

Bob Dylan – vocals, guitar, harmonica, piano

Bill Aikins – keyboards
Wayne Butler – trombone
Kenneth A. Buttrey – drums
Rick Danko or Bill Lee – bass (New York)
Bobby Gregg – drums (New York)
Paul Griffin – piano (New York)
Jerry Kennedy – guitar
Al Kooper – organ, guitar
Charlie McCoy – bass, guitar, harmonica, trumpet
Wayne Moss – guitar, vocals
Hargus "Pig" Robbins – piano, keyboards
Robbie Robertson – guitar, vocals
Henry Strzelecki – bass
Joe South – bass, guitar

rainy day women no. 12 & 35 – 4:36
pledging my time – 3:50
visions of johanna – 7:33
one of us must know (sooner or later) – 4:54
i want you – 3:07
stuck inside of mobile with the memphis blues again – 7:05
leopard-skin pill-box hat – 3:58
just like a woman – 4:52
most likely you go your way (and i'll go mine) – 3:30
temporary like achilles – 5:02
absolutely sweet marie – 4:57
4th time around – 4:35
obviously 5 believers – 3:35
sad eyed lady of the lowlands – 11:23

Blonde on Blonde:

A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn’t know

Professor Sean Wilentz, historian-in-residence for Bob Dylan’s Web site, comes as close to summing up its brilliance in his superb Bob Dylan In America as any who’ve tried:

“The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beauty

In short, the lures and snare of love, stock themes of rock and pop music

But written with a powerful literary imagination and played out in a pop netherworld”

No lie

Forever prized for a unique sound that cultural critic Greil Marcus tagged “the most glamorous record imaginable

Listening you [can] see the checkered jester’s suit Dylan had worn on stage for the nine previous, furious months

” Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water

The secret to its inimitable aural character partially stems from Dylan’s request in Nashville to producer Bob Johnston

To remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality

That drifts from one microphone to another

Our reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres you’ll ever hear in plain sight

RECORDING January 25 1966 at Columbia Studio A New York and February 14 – 17 and March 8 – 10 1966 at Columbia Music Row Studios Nashville Tennessee
ENGINEERING --
LABEL Columbia
RE MASTERING Rob LoVerde
RE RELEASED April 2013
AVERAGE RATING 5 Stars out of 5
MADE IN USA
STYLE Rock / Folk Rock
AVAILABLE as long as inventory stock
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