MEDIUM HYBRID SACD CONDITION sealed CD CASE M mint CARDBOARD COVER M mint BOOKLET M mint SERIALNUMBER Yes, 1995 LIMITED Yes, to 3000 MISCELLANEOUS Mono MUSICIAN HOMEPAGEbobdylan.com
Bob Dylan – guitar, harmonica, piano, vocals, police car noises
Mike Bloomfield – guitar
Harvey Brooks – bass
Bobby Gregg – drums
Paul Griffin – organ, piano
Al Kooper – organ, piano
Sam Lay – drums
Charlie McCoy – guitar
Frank Owens – piano
Russ Savakus – bass
like a rolling stone - 6:13
tombstone blues - 6:00
it takes a lot to laugh, it takes a train to cry - 4:09
from a buick 6 - 3:19
ballad of a thin man - 5:58
queen jane approximately - 5:31
highway 61 revisited - 3:30
just like tom thumb's blues - 5:32
desolation row - 11:21
Its title references the road that spans North Minnesota to the Mississippi Delta, and the formative blues, country, and roots sounds connected to its existence
The highway also lays claim to towering musical myths and deaths, many tied to the blues lexicon and narrative
All figure prominently on the revolutionary beacon that is Highway 61 Revisited, the 1965 set that overturned rules, upended preexisting limits, and utterly changed everything in its path
Ranked the fourth-greatest album ever made by Rolling Stone, its reach, power, and content boggle the mind nearly five decades after its release
Teeming with organic energy, palpable voltage, and countless textures, the LP faithfully recreates the dimensions, vibes, and events associated with the six days Dylan and Co. spent at Columbia’s Studio A
Everything from the soundstages to dynamics, instrumental separation to balances, resonates with enormous might and insightful perspective
Wider grooves mean more information reaches your ears
Recorded amidst a time of unfathomable turmoil and frustration that witnessed Dylan booed by fans, labeled a traitor, and call into question his work, Highway 61 Revisited roars and snarls, jabs and criticizes
Its bonfire of cynicism, fury, indignation, and absurdity forever transformed rock, what it could mean, and what it could do
Supported by a thundering, commanding band that included guitarist Mike Bloomfield and organist Al Kooper, Dylan hopscotches between tempos, moods, and melodies
The symmetry of the songs references a scattered hybrid of R&B, blues, folk, soul, gospel, vaudeville, and garage rock pieces that Dylan assembles in the shape of a brilliant, mind-teasing aural puzzle
RECORDING June 15 – August 4 1965 at Columbia Studio A, 799 Seventh Avenue New York ENGINEERINGRoy Halee, Pete Dauria, Frank Laico LABEL Columbia RE MASTERING Krieg Wunderlich RE RELEASED 2016 AVERAGE RATING 5 Stars out of 5 MADE IN USA STYLE Pop / Rock / Folk Rock AVAILABLE as long as inventory stock
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