MEDIUM Vinyl Record WEIGHT 2 x 180gr (black Vinyl) 45rpm, Halfspeed CONDITION sealed COVER Gatefold CONDITION COVER M mint COVER DAMAGES No, we take care about that SERIALNUMBER Yes LIMITED Yes MISCELLANEOUS Stereo MUSICIAN HOMEPAGEmilesdavis.com
Miles Davis - trumpet
Wayne Shorter - tenor sax
Herbie Hancock - electric piano (tout de suite, petits machins, filles de kilimanjaro)
Chick Corea - piano, rmi electra-piano (frelon brun, mademoiselle mabry)
Ron Carter - electric bass (tout de suite, petits machins, filles de kilimanjaro)
Dave Holland - double bass (frelon brun, mademoiselle mabry)
Tony Williams - drums
frelon brun - 5:39
tout de suite - 14:07
petits machins - 8:07
filles de kilimanjaro - 12:03
mademoiselle mabry - 16:32
Miles Davis' move into full-on fusion starts here
Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty
Grounded and focused, the five compositions unfold like a unified suite
Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies
To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory
Voicings, harmonics, and pitches are rendered with exquisite detail
The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968
The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted "Frelon Brun"
Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles
Comprised of multiple sections, "Petits Machins" is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic
RECORDING June 19 - 21 and September 24 1968 at Columbia 30th Street Studio, New York City ENGINEERING Frank Laico, Arthur Kendy LABEL Columbia RE MASTERING Krieg Wunderlich, Shawn R. Britton RE RELEASED 2015 AVERAGE RATING 4 ½ Stars out of 5 PRESSING by RTI USA MADE IN USA STYLE Jazz / Fusion / Post Bop AVAILABLE as long as inventory stock
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