MEDIUM Vinyl Record WEIGHT 180gr (black Vinyl) 33rpm CONDITION sealed COVER Standard CONDITION COVER M mint COVER DAMAGES No, we take care about that SERIALNUMBER No LIMITED No MISCELLANEOUS Stereo, Insert MUSICIAN HOMEPAGEdavidlindley.com
David Lindley - bass, fiddle, guitar, violin, electric guitar, vocals, human whistle, slide guitar, bandurria, divan saz
Curt Bouterse - hammer dulcimer (petit fleur)
Jackson Browne - vocals (bye bye love, twist and shout, don't look back)
Jorge Calderón - vocals (twist and shout)
Bob Glaub - bass
Garth Hudson - horn, keyboards (el rayo-x)
Reggie McBride - bass
Bill Payne - organ, keyboards (bye bye love)
William D. "Smitty" Smith - organ, keyboards
Ian Wallace - drums
George "Ras Baboo" Pierre - percussion, timbales, vocals, accordion (pay the man)
she took off my romeos - 3:00
bye bye love - 2:50
mercury blues - 3:33
quarter of a man - 3:45
ain't no way - 3:42
twist and shout - 2:44
el rayo-x - 2:53
your old lady - 4:14
don't look back - 3:55
petit fleur - 3:11
tu-ber-cu-lucas and the Sinus blues - 2:14
pay the man - 3:30
When David Lindley commenced on his solo career with "El Rayo-X" in 1981, he had already established himself as a studio musician in numerous venues
His competent playing, which he had long cultivated in performance with Jackson Browne, Linda Ronstadt and Crosby & Nash, is concentrated here on this album like an x-ray beam
And what is more: the multi-instrumentalist worked on his early, forgotten attempts on the banjo and fiddle and took himself right up to the strings of the steel guitar
Here are just a few examples of the many styles which are gathered here together on this album: After the off-beat reggae rhythm of "She Took Off My Romeos" follows one of the greatest guitar hits of the 80s – "Bye, Bye Love"
Then comes "Mercury Blues" with its magnificently sharp and swift-paced guitar playing
Not only the rhythmic mix but also the instrumentation follows a cleverly devised plan and is tailor-made for each number
"Quarter Of A Man", a subtle colourful dance on the bass line, is just as impressive as the pointed jabs of the well-established organ in "Ain’t No Way"
All in all, this is a lavishly produced rock album of its time and well worth the listening today
RECORDING 1981 at Record One Studio Los Angeles ENGINEERING Greg Ladanyi LABEL Asylum RE MASTERING -- RE RELEASED 2019 AVERAGE RATING 4 ½ Sterne von 5 PRESSING by Pallas MADE IN Germany STYLE Pop / Rock AVAILABLE as long as inventory stock
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