MEDIUM HYBRID SACD CONDITION sealed MINI LP CARDBOARD COVER M mint BOOKLET M mint SERIALNUMBER Yes LIMITED Yes MISCELLANEOUS Stereo, Booklet, playable on all CD Players ! MUSICIAN HOMEPAGEjanisjoplin.com
Janis Joplin – vocals, guitar (me and bobby mcgee)
Richard Bell – piano
Ken Pearson – organ
John Till – electric guitar
Brad Campbell – bass
Clark Pierson – drums
Bobby Womack – acoustic guitar (trust me)
Bobbye Hall – conga, percussion
Phil Badella - background vocals
John Cooke - background vocals
Vince Mitchell – background vocals
Sandra Crouch – tambourine
move over - 3:39
cry baby - 3:56
a woman left lonely - 3:27
half moon - 3:51
buried alive in the blues - 2:24
my baby - 3:44
me and bobby mcgee - 4:29
mercedes benz - 1:46
trust me - 3:15
get it while you can - 3:23
While Joplin's electrifying vocal prowess is universally lauded – she's recognized as the greatest white female blues singer the world has ever seen – her mix of compassion, confidence, and charm play as large a role in attracting listeners and keeping them ensnared more than four decades after her tragic death
And on Pearl, she burrows into deeper stylistic veins, teasing out sides of her persona and craft she'd never previously displayed
Her signature desperation, sadness, and vulnerability remain – the harrowing, lonely wail that begins her soul-ravishing take on Jerry Ragovoy's "Cry Baby," underlined with a Wall of Sound-like piano accompaniment, could only come from a person severely scarred by loss and disappointment – yet Joplin also reveals a sense of humor and beatnik innocence that helped propel the album to the top of the charts for nine straight weeks
Playfully introduced as "a song of great social and political import," the acapella "Mercedes Benz" reflects Joplin's throaty timbre as well as her enhanced, sunnier mood
Similarly, her definitive read of Kris Kristofferson's "Me and Bobby McGee" signals a laidback demeanor and a move into country strains, with the delivery as natural, carefree, and loving as any in the rock canon
As she does throughout the record, Joplin invests her all in the narrative so that there's no line between the performer and the song
She makes everything on Pearl feel autobiographical, and by extension, gut-wrenchingly honest, and devastatingly intimate
RECORDING September 5 - October 3 1970 ENGINEERING Robert Honablue, Phil Mac LABEL Columbia RE MASTERING Rob LoVerde RE RELEASED 2016 AVERAGE RATING 5 Stars out of 5 MADE IN USA STYLE Rock / Blues Rock / Psychedelic Rock AVAILABLE as long as inventory stock
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