sarah mclachlan – solace ( hybrid sacd)
sarah mclachlan – solace ( hybrid sacd)
sarah mclachlan – solace ( hybrid sacd)

sarah mclachlan – solace ( hybrid sacd)

Product No.:
CAPP 052 SA
4 days + Delivery 4 days + Delivery (abroad may vary)
36,36 EUR

incl. 19% tax excl. Shipping costs

Add to wish list
Description
MEDIUM HYBRID SACD
CONDITION sealed
CD CASE M mint
COVER M mint
BOOKLET M mint
SERIALNUMBER No
LIMITED Yes
MISCELLANEOUS Stereo
MUSICIAN HOMEPAGE   sarahmclachlan.com

Deni Bonet - viola, violin
Paul Brennan - drums
Peter Conway - harmonica
Bill Dillon - billatron, 12 string guitar, acoustic guitar, electric guitar, steel guitar, mandolin, pedal steel
Michel Dupirre - percussion
Daryl Exnicious - bass, background vocals
Alan Gevaert - bass
Ronald Jones - drums, tambourine
Jocelyne Lanois - bass
Hugh MacMillan - bass
Pierre Marchand - bass, electric guitar, keyboards, mandolin, organ, percussion
Sarah McLachlan - acoustic guitar, piano, vocals
Leo Nocentelli - guitar
Ashwin Sood - drums

drawn to the rhythm - 4:12
into the fire - 3:30
the path of thorns (terms) - 5:50
i will not forget you - 5:21
lost - 3:56
back door man - 4:11
shelter - 3:30
black - 5:08
home - 4:45
mercy - 4:23
wear your love like heaven - 3:19

"Solace", McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited "Touch"

In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, "Fumbling Towards Ecstasy" and "Surfacing"

The opening track, "Drawn To The Rhythm", is a habit-forming gem of a song that soars on her smooth and heady soprano and Ronald Jones's addictive drums (though the drone of the billatron in the chorus seems incongruous)

The rumbling, electric "Into The Fire" grooves with a funky bass line; the lovelorn "Path Of Thorns" and "I Will Not Forget You" are straight-ahead and bluesy

Always wise beyond her years, McLachlan displays a new awakening with introspective songs such as the Sinead O'Connor-esque "Lost" and "Shelter"

The hymnlike "Mercy" is the least interesting song — spare in comparison to the others — but it is a wondrous showcase of her multifaceted voice

Without a doubt, "Solace" is a testament to McLachlan's ever-swelling talent

RECORDING 1991 - 1992 at Martin Heights at Lans Westwind's House, in Vancouver at Mushroom Studio and Venture Studios and in New Orleans at Karen's House
ENGINEERING Greg Reely, Pierre Marchand
LABEL Arista
RE MASTERING Bernie Grundman
RE RELEASED July 2015
AVERAGE RATING 4 Sterne von 5
MADE IN USA
STYLE Pop / Rock / Folk Rock
AVAILABLE as long as inventory stock
For more information, please visit the home page for this product.