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bob dylan - live 1964 concert at philharmonic hall (2 x hybrid sacd)

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bob dylan - live 1964 concert at philharmonic hall (2 x hybrid sacd)

Product No.:: AFZ5 230
Shippingtime:: 4 days + Delivery (abroad may vary)

63,63 EUR

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Description

Description

MEDIUM 2 x HYBRID SACD
CONDITION sealed
CD CASE M mint
CARDBOARD COVER M mint
BOOKLET M mint
SERIALNUMBER Yes
LIMITED Yes
MISCELLANEOUS Stereo
MUSICIAN HOMEPAGE bobdylan.com

Bob Dylan - vocals, guitar, harmonica
Joan Baez - vocals (mama, you been on my mind / silver dagger / with god on our side / it ain't me, babe)

the times they are a-changin' - 3:56
spanish harlem incident - 2:54
talkin' john birch paranoid blues - 4:21
to ramona - 5:11
who killed davey moore? - 4:46
gates of eden - 8:36
if you gotta go, go now (or else you got to stay all night) - 3:55
it's alright, ma (i'm only bleedin') - 9:55
i don't believe you (she acts like we never have met) - 5:29
mr. tambourine man - 6:37
a hard rain's a-gonna fall - 7:45
talkin' world war III blues - 5:40
don't think twice, it's all right - 4:12
the lonesome death of hattie carroll - 7:07
mama, you been on my mind - 3:41
silver dagger - 4:05
with god on our side - 6:09
it ain't me, babe - 5:20
all i really want to do - 3:59

This 1964 concert is the first all acoustic live performance to enter Bob Dylan's discography

This recording certainly has its share of firsts and highlights, including the only known live version of "Spanish Harlem Incident," the premiere of the songs "Gates of Eden" and "If You Gotta Go, Go Now"

Here is Dylan as an eager-to-please 23 year old with nothing between him and his audience but a guitar and a harmonica

His voice is in top form throughout the 19 song set and when Joan Baez joins him on stage the voltage only increases

In marked contrast to the tight-lipped living legend of the mid-'70s, here is Dylan as entertainer. Joking and bantering with the crowd and he proves to be a very masterful performer

While much has been made of the later electric performance of the 1960s, it is here that you can see how good Dylan really was

He shows all the budding facets of his art up to this time, from the protest songs, the more introspective material and the radical new direction he was pursuing

RECORDING LIVE, October 31 1964 at Philharmonic Hall, New York
ENGINEERING Greg Calbi
LABEL Columbia
RE MASTERING Steve Hoffman, Stephen Marsh
RE RELEASED March 2016
AVERAGE RATING 4 ½ Stars out of 5
MADE IN USA
STYLE Rock / Folk
AVAILABLE as long as inventory stock

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