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ron carter - all blues (33rpm lp)

Product No.:: CTI 6037
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Description

Description

MEDIUM Vinyl Record
WEIGHT 180gr (black Vinyl) 33rpm
CONDITION sealed
COVER Gatefold
CONDITION COVER M mint
COVER DAMAGES No, we take care about that
SERIALNUMBER No
LIMITED Yes
MISCELLANEOUS Stereo
MUSICIAN HOMEPAGE roncarter.net

Ron Carter - bass, piccolo bass
Joe Henderson - tenor sax (tracks 1, 3, 4, 5)
Roland Hanna - piano (tracks 1, 2, 4, 5)
Richard Tee - electric piano (track 3)
Billy Cobham - drums, percussion (tracks 1, 2, 3, 4, 5)

a feeling - 3:23
light blue - 6:47
117 special - 7:06
rufus - 5:14
all blues - 9:35
will you still be mine - 3:56

Bassist Ron Carter had long been Creed Taylor’s first-choice bassist on record dates stretching as far back to the classic Gil Evans recording "Out Of The Cool" in 1960

Carter was the first bass choice for many Creed Taylor productions throughout the 1960s for the Impulse, Verve, MGM and A&M/CTI labels, even while the bassist was recording and touring as part of the Miles Davis Quintet

And it was Ron Carter’s dulcet tones and swinging accompaniment on the double bass that drove nearly every CTI album since 1970 into the overdrive that its soloists are often given sole credit for

Surprisingly, though, Ron Carter’s second CTI recording, "All Blues", fell well below the radar

It was hardly noticed when it was first issued in early 1974 (his 1973 CTI debut, "Blues Farm", which was hardly a hit, still remains better known)

Interestingly, it’s probably among the best of the albums the bassist waxed for the CTI label between 1973 and 1976

This is due in no small measure to the commanding presence of tenor saxophonist Joe Henderson on “A Feeling”, “117 Special”, “Rufus” and “All Blues”

Carter here also solidifies a simpatico musical kinship with pianist Roland Hanna, who he’d first played with on a European tour in 1969

Hanna is especially featured on the florid trio feature, “Light Blue” (not the Monk piece), as well as Carter’s bop-y “Rufus” (not the Archie Shepp piece)

Not surprisingly, Ron Carter dominates the proceedings, with his especially distinctive bass helming any number of attractive solo features (not to mention the overdubbed bass 'solo' of “Will You Be Mine”)

- Doug Payne, Jazzonline -

RECORDING October 24 1973 at Rudy van Gelder Studio Englewood Cliffs New Jersey
ENGINEERING Robert Honablue
LABEL CTI
RE MASTERING --
RE RELEASED April 2016
AVERAGE RATING 4 ½ Stars out of 5
PRESSING by Pallas Germany
MADE IN England / Germany
STYLE Jazz / Post Bop
AVAILABLE as long as inventory stock

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