MEDIUM Vinyl Record
WEIGHT 180gr (black vinyl) 33rpm
CONDITION sealed
CONDITION RECORD M mint
COVER Standard
CONDITION COVER M mint
COVER DAMAGES No, we take care about that
SERIALNUMBER No
LIMITED Yes, to 750 copies
MISCELLANEOUS Stereo, Deluxe Facsimile Reissue, Lyrics
MUSICIAN HOMEPAGE --
Teddy Hameline - alto sax
William Boucaya - baritone sax
Benoit Quersin - bass
Pierre Lemarchand - drums
Francy Bolland - piano
Armand Migiani - tenor sax
Bobby Jaspar - tenor sax, flute
Benny Vasseur - trombone
Chet Baker - trumpet
how about you - 4:25
once in a while - 5:30
chekeetah - 5:57
alone together - 3:52
chet - 3:08
dinah - 3:08
tasty pudding - 4:44
anticipated blues - 2:33
vline - 3:03
exitus - 8:30
In answer to an offer from Nicole Barclay, Chet Baker arrived in Paris early in September 1955
On the 22nd – or maybe the 23rd – he signed a contract to make seven records... (The figure was later erased and replaced by 'three', which turned out to be correct)
Released after the trumpeter’s return to the USA, this last volume was construed as rather a poor relation opposite the others in the trilogy, all the more so because, hurriedly drafted, the sleeve-notes did little to render unto Caesar the things which were Caesar’s
Unlike the earlier opuses, this one was in no way a concept-album: it contented itself with a simple overview of Chet’s Parisian associations, depending on where his fancies took him in the course of his stay
When Chet entered the Studio Pathé-Magellan on October 25th, only one member of his original accompanying trio was still present: pianist Dick Twardzik had died of an overdose, and drummer Peter Littman had returned home after selling his kit for whatever it would fetch
Jimmy Bond and his contrabass, however, were both still there, and in the ensuing octet session Chet’s melodic gifts were magnified by (remarkable) scores penned by Pierre Michelot – Chet, Dinah – and Christian Chevalier (Vline)
The three pieces were mini-concertos, and the trumpeter loved them so much that he decided to do them again back in America ... but not so successfully
On November 28th Chet went back into the same studio, this time with Raymond Fol on piano, Benoît Quersin on bass and Jean-Louis Viale on drums
They recorded two improvisations: the first was based on a 1932 standard from Howard Dietz and Arthur Schwartz, "Alone Together", while the second began with "Exitus", a composition written by one of Baker’s friends, Phil Urso
The performances are among the most beautiful that Chet produced during this period, along with "Chekeeta" – or Chik-Etah – and "How about You?" which put the seal on a partnership that had first come to light at the Club Saint-Germain, temporarily rechristened for the occasion:
»Every Saturday and Sunday afternoon from 16h30 to 19h30 at the Barclay’s Club – 13 rue Saint-Benoît, Paris – Bobby Jaspar Quintet with American trumpeter Chet Baker«, read the sign
The format was stylistically ideal, leading Chet to abandon the quartet format he’d preferred up until then
To respect his next bookings, Chet had to get a stable band together, and as his pianist he chose Raph Schecroun – later known as Errol Parker – who was himself replaced by Francy Boland
Alongside him were bassist Eddie de Haas, who’d previously been with Martial Solal and Henri Renaud (the latter, in the adventure, also lost his regular drummer, Charles Saudrais, who was just seventeen
According to Jean-Louis Chautemps, »When Bobby Jaspar couldn’t do it or just wanted too much, they looked for someone cheaper; and that was me
There wasn’t really an audition: we were in the Tabou, I played with Chet, he said OK and, two days later, we found ourselves in Reykjavik, Iceland«
The tune "Tasty Pudding" written by Al Cohn and "Anticipated Blues", one of the rare pieces Chet claimed to have written, were in the repertoire played by this last Baker-led formation on the Old Continent
Both pieces, once again, moved Pierre Michelot to pass judgement: »With ordinary means, Chet managed to play phrases of extraordinary beauty with simplicity and clarity«
RECORDING October 25 1955 - March 15 1956 at Pathé Magellan Studio Paris
ENGINEERING –
LABEL Barclay
RE MASTERING --
RE RELEASED November 2013
AVERAGE RATING 4 ½ Stars out of 5
PRESSING by Pallas
MADE IN Germany / France
STYLE Jazz / Bop / Hard Bop
AVAILABLE as long as inventory
