MEDIUM Vinyl Record WEIGHT 2 x 200gr (black Vinyl) 45rpm CONDITION sealed COVER Gatefold CONDITION COVER M mint COVER DAMAGES No, we take care about that SERIALNUMBER No LIMITED Yes MISCELLANEOUS Stereo MUSICIAN HOMEPAGEhollycole.com
Art Avalos - percussion, sax
Holly Cole - vocals, voices
Joe Henderson - sax
Howard Levy - harmonica
Aaron Davis - piano
David Lindley - steel guitar
David Piltch - bass, percussion
Glenn Morley - conductor
Atis Bankas, Young Dae Park, Charles Elliot, Bryan Epperson, Simon Fryer, Carol Fujino, Susan Lipchak, Martin Loomer, Paul Meyer, Mary Carol Nugent, Katherine Palyga, Joel Quarrington, Christopher Redfield, Mark Sabat, Mark Skazinetsky, Mihai Tetel, Nicole Zarry - strings
i can see clearly now - 4:13
don't let the teardrops rust your shining heart - 4:20 get out of town - 4:43
so and so - 3:27
the tennessee waltz - 3:40
everyday will be like a holiday - 4:49
blame it on my youth - 3:00
ev'rything i've got - 2:55
je ne t'aime pas - 3:57
cry (if you want to) - 2:37
que sera sera - 4:44
don't smoke in bed - 2:27
Holly Cole brings her own dimension to the tradition of cabaret, a strong voice that's still capable of nuance, an ear for quirky repertoire, and a light touch that keeps some of these performances floating just at the edge of irony
On her second album, 1993's "Don't Smoke In Bed", Cole explores varied musical styles, adding pop, blues, country and a French ballad to her standard, low-key jazz
It's a favorite of ours, which is why for this Analogue Productions reissue we've given it the reissue treatment it deserves
Holly's delivery of more traditional fare shines on Cole Porter's witty "Get Out Of Town" and Kurt Weill's torchy "Je Ne T'aime Pas", while she brings clarity, power, and anthemic passion to the surprising treatment of Johnny Nash's "I Can See Clearly Now"
She's generally well supported in this intimate set by pianist Aaron Davis and bassist Davd Piltch, while there's sparing and effective use of strings
There are fine guest spots by tenor saxophonist Joe Henderson, on "Everyday Will Be Like a Holiday", and David Lindley, whose steel guitar contributes to the strange country music of "Don't Let The Teardrops Rust Your Shining Heart"
RECORDING February - March 1993 at Reaction Studios Toronto, Ontario, Canada ENGINEERING Leanne Ungar, David Piltch LABEL Alert RE MASTERING Bernie Grundman RE RELEASED 2019 AVERAGE RATING 4 ½ Stars out of 5 PRESSING by Quality Records MADE IN USA STYLE Jazz / Vocal Jazz / Standards / Traditional Pop AVAILABLE as long as inventory stock
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