miles davis – a tribute to jack johnson (hybrid sacd)
miles davis – a tribute to jack johnson (hybrid sacd)
miles davis – a tribute to jack johnson (hybrid sacd)

miles davis – a tribute to jack johnson (hybrid sacd)

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miles davis, a tribute to jack johnson, hybrid sacd, columbia re
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Description
MEDIUM HYBRID SACD
CONDITION sealed
MINI LP CARDBOARD COVER M mint
BOOKLET M mint
SERIALNUMBER Yes
LIMITED Yes
MISCELLANEOUS Stereo, Booklet, playable on all CD Players !
MUSICIAN HOMEPAGE   milesdavis.com

Miles Davis – trumpet
Steve Grossman – soprano sax
John McLaughlin – guitar
Herbie Hancock – organ
Michael Henderson – bass
Billy Cobham – drums

Musicians at track two (starting about 13:55)

Miles Davis – trumpet
Bennie Maupin – bass clarinet
John McLaughlin – guitar
Sonny Sharrock – guitar
Chick Corea – piano
Dave Holland – bass
Jack DeJohnette – drums

right off – 26:53
yesternow – 25:34

Miles Davis' A Tribute to Jack Johnson is the best jazz-record ever made

Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard" as well as his adoration of Johnson, Davis created a hard-hitting set that spills over with excitement, intensity, majesty, and power

Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio

Mobile Fidelity's sterling reissue brings it all to fore with unsurpassed realism

Indeed, utilizing wah-wah and distortion, guitarist John McLaughlin comes on here with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson finally cross the divide between rock and jazz

Davis puts both feet in the former camp and permanently erasing any gap

In addition to highlighting McLaughlin's ripping performances, Mobile Fidelity's reissue showcases the headliner's white-hot trumpet solos like never before

Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence

Around him, a barrage of urgent backbeats, knifing riffs, and three-dimensional bass lines emerge amidst an ink-black background

RECORDING February 18 and April 7 1970 at 30th Street Studio in New York City
ENGINEERING Stanley Tonkel
LABEL Columbia
RE MASTERING Shawn R. Britton
RE RELEASED 2017
AVERAGE RATING 5 Stars out of 5
MADE IN USA
STYLE Jazz / Pop / Rock / Fusion / Funk
AVAILABLE as long as inventory stock
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